Punk (Archaeology) Part Two

Where were you
Where the hell were you
Not around for punk part two

You know punk is really dead when archaeologists write about it, right?

I published my paper from Christopher Matthews’ 2015 SHA session on Punk Archaeology, which, for me, grew out of my earlier piece for Bill Caraher, The Young Lions of Archaeology. I was able to expand on my earlier thoughts to lay out a program for punk archaeology, and explore its DIY and anarchist roots. It was a fun paper to write, thanks to AP: Online Journal in Public Archaeology for publishing it, and, in particular, Jaime Almansa Sánchez for enduring my endless harassment.

You can read the full paper here:

Morgan, C. 2015. Punk, DIY, and Anarchy in Archaeological Thought and Practice, AP: Online Journal in Public Archaeology, 5, 123-146.

The abstract:

Recent developments in archaeological thought and practice involve a seemingly disparate selection of ideas that can be collected and organized as contributing to an anti-authoritarian, “punk” archaeology. This includes the contemporary archaeology of punk rock, the DIY and punk ethos of archaeological labor practices and community involvement, and a growing interest in anarchist theory as a productive way to understand communities in the past. In this article I provide a greater context to contemporary punk, DIY, and anarchist thought in academia, unpack these elements in regard to punk archaeology, and propose a practice of punk archaeology as a provocative and productive counter to fast capitalism and structural violence.

Here’s a bonus Ghoulies track, covering Billy Bragg’s A New England. Bless the Groovie Ghoulies for their goofy, bouncy, monster-infused pop punk. Sadly the studio versions don’t really convey the speed & snarl of the Ghoulies live show, but isn’t that always the case?

SHA 2015: Punk as Organizing Structure and Ethos for Emancipatory Archaeological Practice

archaeo-core2
Tongue-in-cheek portrait of me by my oldest friend, Jesse Kulenski. He also designs the defcon t-shirts, check him out: https://www.facebook.com/designbyjesse

I am very happy to participate in another conference I’ve never been to before–the SHA 2015 Conference on Historical and Underwater Archaeology, as part of a Punk Public Archaeology session organized by Christopher Matthews. John Lowe and I have been talking about punk and archaeology for a long time now, glad to have a chance to talk about some of those ideas.

Title: Punk as Organizing Structure and Ethos for Emancipatory Archaeological Practice

Abstract:

Think about the kind of revolution you want to live and work in. What do you need to know to start that revolution? Demand that your teachers teach you that.” -Big Daddy Soul

The basic principles of punk archaeology reflect an anarchist ethos: voluntary membership in a community and participation in this community. Building things–interpretations, sites, bonfires, earth ovens, Harris Matrices–together. Foregrounding political action and integrity in our work. It is the work of the punk archaeologist to “expose, subvert, and undermine structures of domination…in a democratic fashion” (Graeber 2004:7). Public archaeology and community archaeology are embedded in this project; punk archaeology is collectivist action, with especial attention to marginalized and disenfranchised peoples. In this paper I present punk archaeology as a provocative and productive counter to fast capitalism and structural violence.

Graeber, D. (2004). Fragments of an anarchist anthropology. Chicago: Prickly Paradigm Press.