As I’ve mentioned in previous posts, I took part in Heather Law’s Opening Dialogs in Archaeological Photography session on Saturday. Sadly it overlapped with my graffiti session, so I missed the bulk of the presentations. The gallery space was great though, and the session was archaeologists/photographers presenting their work while the small crowd followed around the room.
The format was very informal, with many of the presenters speaking extemporaneously. It was much more of a conversation than a critique, which was probably for the best. Most of the photos were not obviously archaeological, with scales or excavators working, but were more phenomenological. After typing a lot of words on this topic, I’ve come to the conclusion that archaeological photos need to do something archaeological. A pretty good rule of thumb: I have to be able to use something in the photograph to reconstruct (either verbally or virtually) the archaeological site.
I did something a little different with my photographs. As I’ve previously discussed, I put them into an album and set them up with a small, salvaged table and a lamp. I wanted to bring the viewer in, to have them engage with the physicality of the photographs in the album, in part to highlight the analog/digital disruption that was the primary theme of my work. I spoke about my creative process and got a few good questions from the gathered crowd. Adrian Praetzellis was particularly touched that I left one of the photos of the young family in the album, captioned appropriately. I’ll post a more in-depth discussion of the actual piece in a subsequent post.
Everyone that I heard from in the photo show really enjoyed it. Heather seems eager to do it again, and it would be nice to bring it outside of TAG to a larger audience.
The lessons from this session were more subtle – on the surface it could be compared to presenting a poster in a more structured setting. What distinguishes a photo session is the curatorial process of selecting, captioning, printing, and arranging photographs and the accompanying friction between artistic voice and archaeological vision. I also appreciated the directed discussion and greater interaction between presenter and audience.
USA TAG is in SUNY Buffalo next year and I hope to see more experimentation in the classic “conference” format.