English Winters

Traveling in England in the wintertime is like walking around with your eyes mostly closed. Drowsy gray skies, fog seeping in-between your scarf and your neck, under your coat, and around your fingertips. Last night I had a few pints with friends at the Coach & Horses, forgot to eat dinner, and ducked into a minicab to get home. London is starting to look familiar to me, with the low brick houses, white trim, and wiry black fences.

This morning I caught the Cardiff Central train from Paddington station to Bristol, heading straight into a daze of snow. The snow was falling in London last night–big, fat flakes against the black night–but the glowing flurry blowing around the train is indistinct, powdery pink and gray.

I’m trying to put the finishing touches on this paper, but even as I come to the end it seems like dragging my feet through sludge. My mind wants to be doing almost anything besides writing, and so I stare out of the window at the houses, trees, and fields diffused through the smeary snow.

The English countryside is a landscape dreaming of itself, re-iterated over centuries, absolutely secure in the belief that this is what the countryside is supposed to look like, the gold standard of pastoral bliss. Low and flat and still green beneath the hulking, ponderous clouds that seem so much more layered and complex than the puffy fluff over Texas or the flat gray Bay area mist.

Writing this has made me able to start on my paper again–something about a loose, descriptive narrative allows me to segue back into the messy jargon of New Media crashing into Archaeology.

Author: colleenmorgan

Dr. Colleen Morgan (ORCID 0000-0001-6907-5535) is the Lecturer in Digital Archaeology and Heritage in the Department of Archaeology at the University of York. She conducts research on digital media and archaeology, with a special focus on embodiment, avatars, genetics and bioarchaeology. She is interested in building archaeological narratives with emerging technology, including photography, video, mobile and locative devices. Through archaeological making she explores past lifeways and our current understanding of heritage, especially regarding issues of authority, authenticity, and identity.

5 thoughts on “English Winters”

  1. Curses… I choose not to go to the fun packed heritage soaked winterval festival of thinking and so many interesting people turn up! I should sharpen my resolve for next year…. or at least try and get report writing out of the way first! Enjoy and good luck there.

  2. As always great descriptive writing. All is dusty and crusty here in whereI am at in Iraq. It is colder now these days. Different birds are flying in from the migratory routes cheering my dreary days of lack of booze and good friends.

    A small brown and gray bird with a straight long black beek and a single white line on it shoulder wing on each side. My great white whale of a bird never moves from its tethered spot, the blimp with its on watching the peaceful landscape. Someone told me that tether is greekish for bird.

    Ms. Morgan thank you for sharing your life, drink a few pints for me

    fred

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