Month: December 2010

Almost everything interesting in Bristol was closed when we got there yesterday–the markets, the anarchist collectives, the galleries. Still, I wanted to see more of the city than the university campus and the small neighborhood where I was holed up during the snow & sickness. In particular I wanted to check out Stokes Croft, informatively dubbed “The People’s Republic of Stokes Croft.” Sound familiar?

The neighborhood graffiti and murals were interesting–one of the first well-known Banksy murals is over the main street and the nearby squats are completely covered in art. I also wanted to see Turbo Island, a small area in Stokes Croft that was excavated to investigate heritage and contemporary homelessness–an interesting experiment in contemporary archaeology. From John Schofield’s email announcement of excavations on Turbo Island:

As some of you will know, the project that Rachael Kiddey and I have been doing with homeless and vulnerably housed people in Bristol is taking a new turn. During our perambulations last summer (and ongoing) we regularly returned (physically and in conversations) to Turbo Island, where Stokes Croft meets Jamaica Street – people kept telling us (hi)stories about the site, how it was a ‘speakers corner’, and how they used to hang pirates there. So we thought it would be fun and interesting to involve them in a small excavation of this place where they spend so much time – to perhaps uncover some of the stories of Turbo Island.

There wasn’t a lot left to see besides a few Tiki heads and the Stokes Croft museum was closed. Another time, I suppose.

After Bristol we ran off to East Quantoxhead, a tiny town on the north coast of Somerset that is famed for the huge ammonites that are eroding out of the beach head. The town is built out of the local rock, so there are fossils in all of the walls and houses. We looked around a bit, but had to hurry–the sun was setting and we wanted to get to the beach before it was dark!

The short walk follows a small stream through lovely green fields and out to the beach. I swear I want to spend a summer just walking through England, eating pub food and taking photos. It was foggy and gray, so the trail looked like it disappeared into nothing, like we were on the edge of the earth, instead of looking out over Wales.

The beach itself looks like it was intentionally cobbled with smoothed limestone and alternates with dark and lighter sediment. The light was almost gone, so we only saw a couple of small ammonites–not the huge ones that we were hoping to find. I think the area has also been heavily quarried by fossil hunters–it’s too bad, really.

So we headed back through the fog, down sunken, hedge-lined lanes and over to Exeter to meet with a few friends. It’s cold here, but I’m not sure I’m ready to leave for Qatar in a couple of days!

I’ve spent most of the last week in Dulverton, near the border of Devon and Somerset in western England. As I mentioned in the last post I’ve been ill, and just now coming out of it, so I haven’t been able to wander as I would have liked. It’s also been pretty cold and snowy, which I have been assured is absolutely peculiar for this time of year. Luckily, the frost has started to thaw, and everything is still ridiculously green beneath all the snow.

One of the absolute necessities of the trip was to see an Exmoor pony. They’re a herd of semi-domesticated and vaguely prehistoric-looking shaggy ponies that live up on the moors. We managed to track a few down, nibbling on the greenery underneath the snow.

The moors themselves are pretty fascinating–they’re a high plain with poor soils, so there isn’t much up there besides heather and a few roads. I’d love to come back over the summer to wander around and find a few of the hillforts and other ruins around.

We came down out of the moors to the north coast to check out Linton and Linmouth, Porlock, Minehead, and Dunster. Dunster is an adorable little medieval town that has a nice, newish castle and a tower-folly on the Bristol channel. People were out and about even though it was a bank holiday, and some of the shops were actually open. We refrained from going into any pubs though–the day before we had a trial run at a local pub and I had an Exmoor Beast, a fairly terrible high-alcohol holiday ale and I just wasn’t up for another drink yet. Still, Dunster was nice, if a bit twee. There’s a cute dovecote, a water wheel that still grinds flower and a church with a 500-year-old rood that survived the reformation. And a pet cemetery!

The fog was thick up on the moor and in the valleys, but broke around the coast and I got a few rays of sunshine–not that you can tell from the photographs.

Traveling in England in the wintertime is like walking around with your eyes mostly closed. Drowsy gray skies, fog seeping in-between your scarf and your neck, under your coat, and around your fingertips. Last night I had a few pints with friends at the Coach & Horses, forgot to eat dinner, and ducked into a minicab to get home. London is starting to look familiar to me, with the low brick houses, white trim, and wiry black fences.

This morning I caught the Cardiff Central train from Paddington station to Bristol, heading straight into a daze of snow. The snow was falling in London last night–big, fat flakes against the black night–but the glowing flurry blowing around the train is indistinct, powdery pink and gray.

I’m trying to put the finishing touches on this paper, but even as I come to the end it seems like dragging my feet through sludge. My mind wants to be doing almost anything besides writing, and so I stare out of the window at the houses, trees, and fields diffused through the smeary snow.

The English countryside is a landscape dreaming of itself, re-iterated over centuries, absolutely secure in the belief that this is what the countryside is supposed to look like, the gold standard of pastoral bliss. Low and flat and still green beneath the hulking, ponderous clouds that seem so much more layered and complex than the puffy fluff over Texas or the flat gray Bay area mist.

Writing this has made me able to start on my paper again–something about a loose, descriptive narrative allows me to segue back into the messy jargon of New Media crashing into Archaeology.