Pyramiden

Pyramiden was a Soviet mining town in the high Arctic that was completely abandoned in 1998.  We were lucky enough to have Bjørnar Olsen, an archaeologist from the Institute of Archaeology at the University of Tromsø in Norway come speak to us about his recent documentation of the archaeological-site-in-the-making.  Pyramiden is a fascinating town all around, built on a remote archipelago by the Swedish, then rented by the Soviet Union in 1927 until it was rapidly abandoned one day, leaving many of the official buildings and residences intact.

Dr. Olsen’s presentation was truly compelling and left me wondering about developing a methodology addressing modern abandonment.  There is a growing genre contemporary archaeological studies, for example the archaeological excavation of a van and Gavin Lucas and Victor Buchli’s study of an abandoned flat in the UK.

I found the exploration of Pyramiden to fit more into a growing post-apocalyptic aesthetic, one that I have commented on before, but that remains of interest to a large segment of the population, if the many flickr groups dedicated to the topic are any indication.  I was also reminded of the “Elena” narrative that was circulating several years ago; a woman posted a travelogue of her motorcycle trips through Chernobyl, with astonishing photographs accompanying an astonishing story.  The details of the trip are falsified, but the images are real, and fed the imaginations of an audience fascinated in a World Without Us.

Ruins turn us all into archaeologists, speculating on the lives of the absent people and the meaning of the objects they left behind.  I wonder if these more contemporary studies bring us even closer to an everyday archaeology, living in our own future decay.

Author: colleenmorgan

Dr. Colleen Morgan (ORCID 0000-0001-6907-5535) is the Lecturer in Digital Archaeology and Heritage in the Department of Archaeology at the University of York. She conducts research on digital media and archaeology, with a special focus on embodiment, avatars, genetics and bioarchaeology. She is interested in building archaeological narratives with emerging technology, including photography, video, mobile and locative devices. Through archaeological making she explores past lifeways and our current understanding of heritage, especially regarding issues of authority, authenticity, and identity.

2 thoughts on “Pyramiden”

  1. Reading your post reminded me of a mysterious phone call I received 8/9 years ago from London – the caller wanted a quotation to excavate something there but wouldn’t explain exactly what the site was! I felt I wasn’t sufficiently qualified at the time and recommended another consultant and then forgot all about it – until several years later when I discovered that it was Francis Bacon’s London studio which was excavated and re-constructed in the Hugh Lane Gallery of Modern Art in Dublin. I’ve been kicking myself ever since, but like the Murphy’s I’m not bitter…

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