Relative Pitch

I was carrying supplies back up the mountain
when I heard it, the laughter of children,
so strange in that starkness.
Pushed past the brush and scrub willow
and saw a ruined farmhouse and girls
in ragged clothes. They had rigged a swing
and were playing as though they were happy,
as if they did not know any better.
Having no way to measure, I thought,
remembering the man in Virginia who found
a ruined octagonal mansion
and repaired it perfectly. For months
he walked through the grand empty rooms
wondering what they were like.
Until he found a broken chair in the attic
and re-created the colors and scale. discovered
maybe the kind of life the house was.
Strangers leave us poems to tell of those
they loved, how the heart broke, to whisper
of the religion upstairs in the dark,
sometimes in the parlor amid blazing sunlight,
and under trees with rain coming down
in August on the bare, unaccustomed bodies.

(By Jack Gilbert, in The Great Fires)
(Poems and prose that remind me of archaeology, pt 4)

Author: colleenmorgan

Dr. Colleen Morgan (ORCID 0000-0001-6907-5535) is the Lecturer in Digital Archaeology and Heritage in the Department of Archaeology at the University of York. She conducts research on digital media and archaeology, with a special focus on embodiment, avatars, genetics and bioarchaeology. She is interested in building archaeological narratives with emerging technology, including photography, video, mobile and locative devices. Through archaeological making she explores past lifeways and our current understanding of heritage, especially regarding issues of authority, authenticity, and identity.

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